A breath of American fresh air is no doubt good for Cambridge. —Christopher Robinson, CBE
on Adam’s work as Conductor & Graduate Organ Scholar (2016–2018) of the Downing College Chapel Choir

The Oratoire Schola’s recording of Aimable Saint is one of the most beautiful performances I have heard; it was
very moving. —Jonathan Embry, Director of Music, Cathedral of St. Helena (MT)

Being in Chapel Choir has added a lot of joy in my life here. —Jasmine Butcher, chorister; McGill Chapel Choir

… A triumph. —Dr. Julie Cumming, musicologist; Dean Emerita, Schulich School of Music
Remarks following Schola Ville-Marie’s 2022 concert, Renaissance Reloaded: Tudor Influences in the Works of
Herbert Howells

Last night was one of the most memorable concert performances I've ever heard. Everything about it. The concept, the eclectic and fascinating choice of repertoire, your inspired conducting and all-around musicianship. There were so many highlights and so many things that impressed me. The intonation, the blend, the precision—without being stiff or too formal. Even in the most difficult and challenging passages you were all obviously having fun. Please convey my congratulations to everyone in your ensemble—you were all brilliant! —Bob James, two-time Grammy Award-winning pianist and composer

I learned more in our one meetup than I sometimes do in an entire course!—James Parm, conducting student
on an introductory conducting workshop Adam led at McGill, January 2021

The choir sounded fantastic—very cool and profound music. O Salutaris Hostia was to die for. Blessed are the dead was
very powerful; I heard an audience member remark that the climax blew her away.—Dorian De Luca, choral scholar, McGill Chapel Choir, remarks following Schola Ville-Marie’s 2022 concert, Renaissance Reloaded: Tudor Influences in the Works of Herbert Howells